Dante Alighieri Theater of Tradition – Opera and Dance Season 2021/22: Pinocchio, A Story of Music

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Saturday 26 March and Sunday 27 March, a new musical theater appointment

A piece of wood that speaks, runs, gets into trouble… and, through irrational and ongoing adventures, becomes more aware of itself and others; In other words, Increases. “I don’t think Collody wanted to end the doll’s vitality, but to emphasize its transformation. And its maturation process”Underline Aldo Tarabella, who composed Pinocchio, the story of a doll Along with Valerio Valeriani’s Libreto and he is also its director for the co-production of Lucar Tetro del Giglio and Tetro Social in Rovigo which opera season 2021/22 in Ravenna Tetro Alighieri. On Saturday, March 26, at 20.30 and on Sunday, March 27, at 15.30, the puppet born of Carlo Collodi’s imagination will take viewers into a world that will combine the magic of traditional theater with images of children and cartoons, including thanksgiving sets Signed clothing. The protagonist of this family opera is Soprano Leonora Tess, head of the Jacopo Rivani Corelli Orchestra, Elizabeth Agustini Ludas Vocalis conducts the White Voice Choir, and Sylvia Content choreographs.

The season ends with an invitation to the theater for families, thanks to the booklet dedicated: By purchasing two adult tickets, the kids are free. Last-minute tickets (10 euros for each and 5 euros for those under 18) can be purchased at the theater box office only on show days, starting one hour early, subject to availability.

“To represent the transformation process – explained Aldo Tarabela – I have identified the circus as the birthplace: Pinocchio survives from a clowning Of which Gepetto and Maestro Siligia are the protagonists. Only after leaving the marquee does the doll become a different person and its transformation process begins in the jungle. A very important passage is the whale, which I believe represents the maternal ‘baby bump’, a scene for which an infinitely sweet music came to me – this moment marks the doll’s consciousness, which saves her father and starts working. To support it. “After all, the depth of description of Claudio’s masterpieces was originally published in installments between 1881 and 1882, and then expanded to a volume that lasted a long time. Long seller The world was also recognized by Benedetto Cross, who wrote that “the wood on which Pinocchio is cut is humanity”. A remarkable adventure, in short, but a novel of structure and transformation.

The language of the musical instrument that Tarabela chooses is Pollution and Quotes: A “Tarantelato” protagonist, chaotic, to indicate the rhythm of the dazzling adventure. Rhythm and blues James Brown from Candlewick’s Land of Toys – ending with “Waltz of the Dunkies”, talking cricket with rap colors, musical flair for Mangiafoko dolls, magical and deceptive blues for cats and foxes, although Geppetto is a bit of a bitch. A light soprano that sings on the pentatonic scale and conveys the scent of an oriental… the vocal chords of children’s voices, which are different parts of archins, schoolgirls and animals, are also basic. They are the ones who stay with the public throughout the work, when talking cricket, a kind of elementary teacher, asking three young students if Pinocchio can be a decent child or if he will always be a puppet.

If Enrico Mussenich belongs to an excellent school (he himself reconstructed the innovative scenes of Luzza Cinderella Rossiniana is hosted in Alighieri for the 2016/17 season) Aldo Tarabela can be proud of being a master like Giorgio Strehler and especially for composing titles dedicated to the Comedia del’Art, circus and theater. Along with Leonora Tess, able to transform herself into a Pinocchio who has all the disrespect of a child, the cast includes Antonio Daliotti in Baritone Clement as Gepetto (and Melampo); Another baritone, Piero Teranova, is Maestro Siligia, Mangiafuoko, and Temar of the Circus; As good as tenor Andrea de Luca Pinocchio’s bad adviser, Grillo and Luciganlo have both given body and voice; Sara Rochi, Consuelo Gillardoni and Yulia Takachenko are cats, foxes and fairies, respectively. The light design of Marco Mingetti contributes to maintaining visual balance.

The 2021/22 season at the Aligheri Theater has been made possible by the contributions of Monte de Bologna and the Ravenna Foundation, with the support of the Municipality of Ravenna, Emilia Romagna Territories and the Ministry of Culture.

Information and tickets 0544 249244 www.teatroalighieri.org

Tickets 20 euros (minus 15)

Decrease: Season tickets 2019/20 and over 65

Special for young people: 18 5 below the euro

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